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November 2015
Map of Brush Creek/Proposal
For the Foundations final we are to explore the historical creek nearby and make art and awareness of it. It's a very old creek, but has dealt with a lot of pollution and changes within each reach (parts of it) as it intersects the city. It has a very different feeling as you walk it, going from naturey in Kansas to industrial concrete on Ward Parkway to controlled in the Plaza and sort of a mixture of both as you go deeper into Missouri, however more dirty.
For our map we were to collect materials and such for our maps that we were supposed to make. For my map, I collected leaves from the various reaches, every three trees, collecting three leaves. I collected about 72-73 leaves Saturday, marking them with white nail polish and putting them in a bag to keep them safe. If I could change one thing, I would have brought something different to write on the leaves and I wouldn't have went on such a windy day. It slowed down the processes as I would have to stop and mark group all at once and hope they wouldn't fly away.
I found it interesting how the leaves changed depending on their location. It made sense that the leaves on the Plaza were prettier than the leaves I found near the Paseo Reach because the Plaza is more manicured and is a shopping area whereas the Paseo is more urban and the trees are there not for looks per se.
For my second part of the final, I am thinking about inserting a video for every leaf where they were found since I marked them on a separate map. This is similar to the works of Sophie Calle and her having 107 women read the break up email from her ex. The videos were played simultaneously along with written responses to the email and other art. But for me I'd be focusing on the video side, making a video for where every leaf was found and then on the place where they art in the conceptual map, put the video there. However, for space that might be changed.
I also am bouncing around the idea of making a gif of the leaves I found just being on a plain white background, flipping through showing what they really look like with their numbers and illegible print from my inexperience in writing with nail polish. It's similar to those a picture every day artists that just take a picture of themselves everyday like Noah Kalina who did it for 12 years.
Another idea is just flipping to the leaf and the video of where it was found back and forth in a rhythm in a pattern. I don't know of any artists who show the object and show the location. But that seems the simpler form of the first idea and will be easier to look at than many videos at once either in the shape of the leaf or just rectangles.
For our map we were to collect materials and such for our maps that we were supposed to make. For my map, I collected leaves from the various reaches, every three trees, collecting three leaves. I collected about 72-73 leaves Saturday, marking them with white nail polish and putting them in a bag to keep them safe. If I could change one thing, I would have brought something different to write on the leaves and I wouldn't have went on such a windy day. It slowed down the processes as I would have to stop and mark group all at once and hope they wouldn't fly away.
I then took a picture of each leaf and then cut them out of their white background via Photoshop and then pasted them on this poster sized image. I wasn't sure what color to do them in. I played around with black and white, the colors above with white background, and other colors. I'm still unsure of that, but I'm leaning towards the white background with colorful leaves so I can save money and not use a lot of black ink.
I found it interesting how the leaves changed depending on their location. It made sense that the leaves on the Plaza were prettier than the leaves I found near the Paseo Reach because the Plaza is more manicured and is a shopping area whereas the Paseo is more urban and the trees are there not for looks per se.
For my second part of the final, I am thinking about inserting a video for every leaf where they were found since I marked them on a separate map. This is similar to the works of Sophie Calle and her having 107 women read the break up email from her ex. The videos were played simultaneously along with written responses to the email and other art. But for me I'd be focusing on the video side, making a video for where every leaf was found and then on the place where they art in the conceptual map, put the video there. However, for space that might be changed.
I also am bouncing around the idea of making a gif of the leaves I found just being on a plain white background, flipping through showing what they really look like with their numbers and illegible print from my inexperience in writing with nail polish. It's similar to those a picture every day artists that just take a picture of themselves everyday like Noah Kalina who did it for 12 years.
Another idea is just flipping to the leaf and the video of where it was found back and forth in a rhythm in a pattern. I don't know of any artists who show the object and show the location. But that seems the simpler form of the first idea and will be easier to look at than many videos at once either in the shape of the leaf or just rectangles.
Par Volllen (Altered Map)
The original source was a blank map of North Korea I found online. I used two maps originally, but with the blank one because there was a lot of information on the first map and there was no way I could easily substitute the information without the map getting really busy and overwhelming. I went with North Korea because there's a lot that we don't know about it. The officials and government there makes sure that we only see what they want us to see and that we don't know what really happens there. I altered it in Photoshop using the pen tool to cut out North Korea from China, Russia, and South Korea. After that, I made it look more like the other referenced map from Dragon Age of Par Vollen, a territory with a similar gaze as they only have one city of note that people know about but besides that, outsiders are not welcome. Since the original map was blank, I just put the information from Par Vollen on the map. The meaning is still the same since the cultures are very similar. I took the key from the busy map and made the compass myself in Photoshop.
This is the strongest piece I've done this far since I did it in a medium I am comfortable in and showed off my best. The things I would change would be the the bulky lines of islands that weren't able to be deleted for some reason next to the Northern Passage. My teacher suggested that instead of making the reference to Dragon Age so strong, but to make the reference to North Korea more apparent since it's now isolated from the bordering countries making it unrecognizable. But other than that, I am proud of this piece as it conveys a reality that many see as fiction that is real to others in the isolated dictatorship.
Asian Studies/Post Bac/Social Practice Symposium
I'm not really a fan of the symposiums that are in the middle of the day, because I forget about them until it's ten minutes before. They're only great before because the sandwiches are so delicious and sometimes the chips are good. And we also get cookies. Which is sweet.
The symposium was alright in general. Hearing about Chinese and Japanese art was interesting as it showed that the Chinese and Japanese artists are struggling with their identity and tradition as they adjust to the modern world. It would be an interesting certificate to get, but personally it seems odd to learn about Asian art from white people...
The Post-Baccalaureate part was interesting a bit to me because I had thought about being an art teacher and stuff but I don't like little kids that much (besides my little sister but even with her, I need breaks). But I could be a high school teacher, maybe. The holiday breaks sounded nice. It was also interesting to me because I knew Mrs. Robino from my high school, barely however from my freshman year.
The Social Practice part was a bit interesting too, but didn't catch my eye as much because it reminded me of what we've already seen with previous symposiums with artists wanting to say something with their art. This time however the artist uses the community compared to their reactions.
The symposium was alright in general. Hearing about Chinese and Japanese art was interesting as it showed that the Chinese and Japanese artists are struggling with their identity and tradition as they adjust to the modern world. It would be an interesting certificate to get, but personally it seems odd to learn about Asian art from white people...
The Post-Baccalaureate part was interesting a bit to me because I had thought about being an art teacher and stuff but I don't like little kids that much (besides my little sister but even with her, I need breaks). But I could be a high school teacher, maybe. The holiday breaks sounded nice. It was also interesting to me because I knew Mrs. Robino from my high school, barely however from my freshman year.
The Social Practice part was a bit interesting too, but didn't catch my eye as much because it reminded me of what we've already seen with previous symposiums with artists wanting to say something with their art. This time however the artist uses the community compared to their reactions.
Maps
We never realize how much we use/think about maps and until we're confronted with them, like I am for the second time this year. In my writing class, we had to write paper over a place and look at maps about it. I can now tell you the majority of Lawrence, Kansas' history and involvement with the Civil War, being so pivotal and involved with the start.
This time, it's more artistic, in a way, since we're making our own maps and are doing something big with the idea of maps for our final, in my studio/Foundations class. In Jorge Luis Borges: Of Exactitude in Science, the quote talks about how the Empire is so caught up in mapping everything so perfectly, they make everything to scale and the map ends up cover the place and becoming useless because it's so big. It's silly to think that people in the fictional story were so caught up in perfection that they didn't see how it was destroying the city's favorite hobby of cartography that they left it to basically be destroyed naturally and then going back to their lives.
The article after that really got me thinking because it's about memories and maps and how we give other people directions based on them. I do this all the time when I'm getting dropped off at my mom's or my dad's since they live by neighborhood signs, sometimes decorated by lights or holiday decor. Once this guy got lost on his way simply because the sign was blocked by a police car (an accident had occurred since it was snowing) and caused him to drive all the way to the state line (which isn't too far away, but a fifteen minute drive with traffic).
You have to be careful when you're giving directions to give them objectively since the person trying to navigate doesn't know that you have to drive by the big skeleton billboard that this one Latin church put up every year around Halloween that scared me every time, to get to my grandma's house (the church moved to a bigger one and a new church moved in). It's so easy to get caught up in the little details and slip them in, but that can confuse someone who hadn't experienced the same moment with you. In the article, she blames the local she asked for directions for why she missed her meeting in the beginning since the tree was gone, but not from her memory.
She later recants with herself knowing that the old post office and fur shop are stuck with her mind and heart, but she must move on for objectivity.
Sculpture Symposium
The sculpture symposium was not as engaging as the previous symposiums in the last few weeks, though I believe that for people who want to go into the department, it helped get them excited for it. For me, it was sort of boring. I'm not really into sculpture so it was interesting in parts, but sometimes had the painting symposium vibe.
Also, at times, it felt that they were there to just put sculpture above all other departments. It was probably the opening statement of 'what do they hand Adele when she wins a Grammy?' and how they hand her the Grammy award sculpture 'not a CD, DVD, a painting.' I understand that sculpture is more than just what we see in museums and in history with the Venus de Milo and such, but that was sort of out of line to me.
Also, at times, it felt that they were there to just put sculpture above all other departments. It was probably the opening statement of 'what do they hand Adele when she wins a Grammy?' and how they hand her the Grammy award sculpture 'not a CD, DVD, a painting.' I understand that sculpture is more than just what we see in museums and in history with the Venus de Milo and such, but that was sort of out of line to me.
Interactive Arts Symposium
The IA symposium was very interesting. I had an idea of what it was but the symposium broadened my eyes, in a good way, to what the field was. It's all very experimental and similar to coding, except based on the person viewing instead of the product already being in place and no further interaction.
My previous experiences with interactive arts were both with Arcade Fire. They came out with a music video for "We Used To Wait" working with interactive artists and web designers just to get the video working. The website starts by asking you to put in an address where you grew up or an address in general. Then many pop ups take over your screen as the music video/film unfold, dropping trees on the Google maps pictures of the said address with birds and a mysterious person running.
The Wilderness Downtown
And then later, for "Reflektor" they have your participation to change the lighting and effects of the music video. They even have a surprise webcam shot of the user towards the end so the user feels included in the music video. I remember showing it to my little sister and her face lighting up in excitement because she was in it. And then showing it to her over and over again.
Just A Reflektor
They work closely with Google and the Chrome Experiments which is just interactive websites where the user can control what is happening like a dark room which is just a poem that you sort of have a hand in creating. There are many interactive sites on their main. But I think I might take an elective in the IA department so I can make my own Arcade Fire interactive music videos.
Chrome Experiments
My previous experiences with interactive arts were both with Arcade Fire. They came out with a music video for "We Used To Wait" working with interactive artists and web designers just to get the video working. The website starts by asking you to put in an address where you grew up or an address in general. Then many pop ups take over your screen as the music video/film unfold, dropping trees on the Google maps pictures of the said address with birds and a mysterious person running.
The Wilderness Downtown
And then later, for "Reflektor" they have your participation to change the lighting and effects of the music video. They even have a surprise webcam shot of the user towards the end so the user feels included in the music video. I remember showing it to my little sister and her face lighting up in excitement because she was in it. And then showing it to her over and over again.
Just A Reflektor
They work closely with Google and the Chrome Experiments which is just interactive websites where the user can control what is happening like a dark room which is just a poem that you sort of have a hand in creating. There are many interactive sites on their main. But I think I might take an elective in the IA department so I can make my own Arcade Fire interactive music videos.
Chrome Experiments
Found Sounds/Proposal
For my synesthetic project, I will use video since I am most comfortable with that and depict the warm hues that the first audio track had and then for the footsteps turn to the cooler darker colors since it feels more dark and rainy with the keys jingling at the same time. For the last one, I see a light green yellow hues as the fridge hummed.
To achieve this, I will use the string lights in my room and the light control to show colors. The hardest will be the greens and yellows, but I believe I can achieve it during the sun hours to get the color of the yellowing leaves and the grass, with my lens out of focus so you can't tell what anything is.
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